Some critics state that this administration is immune to satire. Jokes, they say, fall flat or fail to make a lasting impact because the power of the entrenched establishment is untouchable. The word teflon, they use to describe this president, suggests he is as untouchable as he is unconscionable.

What role, then, should the humble artist carry on in a conscientious duty to create art? How do you reflect the truth of the political sphere, the vulgarity and odious mentality of those in power, without becoming vulgar and odious yourself? When the satirical starts to look like everyday life, perhaps it’s time to step up one’s game or recalibrate the methods.

Before leaving her role as First Lady, Michelle Obama cautioned Democrats, “When they go low, we go high.” But the depth of their adversaries’ lowness hadn’t yet been realized. From Flint to Puerto Rico, millions of citizens are in need of public infrastructure and uplifting from poverty, yet are suffering from malevolent neglect. And when government sees fit to bar refugees and tear apart hopeful families entering at its border, it’s the dawn of a new cruelty and shame in this land.

The art of protest can’t be contained in polite aesthetics. In a time of waning empathy and deepening division, the artist must speak to injustice, clearly and without reserve. As witness to everyday tragedy, she must strive to counsel for humanity, and not fear darkness in order to pursue the light of truth.